JULIA DAVIS – SELECTED CV
| EDUCATION | |
|---|---|
| 2006 | MVA, Sydney College of the Arts |
| 1988 | Dip Ed Sydney College of Education |
| 1980 | Dip FA Prahran College of Fine Art, Melb |
| SELECTED SOLO & TWO PERSON EXHIBITIONS | |
|---|---|
| 2022 | Thresholds: Underlands (collaboration with Lisa Jones), Manly Art Gallery and Museum, Sydney Undercurrent, Manly Art Gallery and Museum, Sydney |
| 2021 | Thresholds (collaboration with Lisa Jones), Tin Sheds Gallery, Sydney University (curated by Claire Taylor) |
| 2020 | Thresholds: a chorus, MAC Gallery Hobart (collaboration with Lisa Jones + in partnership with DARK MOFO ) cancelled due to COVID19 |
| 2018 | Prelude to Oceans From Here, ACP Gallery, Sydney (curated by Allison Holland) |
| 2016 | Dark Matter, Manly Regional Art Gallery and Museum, Sydney Consilience: As The World Turns, MAMA Art Museum Albury, Victoria |
| 2014 | Ephemeral Coast, Mission Gallery, Swansea Wales GB. (curated by Celina Jeffery, Ottawa University) |
| 2011 | Sculptural Forms, Glasshouse Regional Gallery, Port Macquarie, NSW |
| 2010 | Julia Davis, Conny Dietzchold Gallery, Sydney |
| 2009 | Julia Davis, Peloton Gallery, Sydney |
| 2007 | In Relation, Peloton Gallery, Sydney |
| 2006 | Towards Perigee, Tin Sheds Gallery, Sydney |
| 2003 | Divesting Skin, Sydney College of the Arts |
| 2000 | Past Tense, Manly Regional Art Gallery and Museum, Sydney |
| SELECTED GROUP EXHIBITIONS | |
|---|---|
| 2022 | Fauvette Loureiro Memorial Scholarship finalist exhibition, SCA Gallery, Sydney University Powerhouse Late, Powerhouse Museum, Sydney (curated by Jane Sheldon) |
| 2021 | Shifting World, Salamanca Art Centre, Hobart TAS (curated by Ellina Evans) Reflection/Submersion, Janet Holmes á Court Gallery, Perth WA (curated by Laetitia Wilson) |
| 2020 | Herself, Queen Victoria Art Gallery and Museum, Launceston Tasmania National Works on Paper, Mornington Peninsular Regional Gallery, VIC (in collaboration with Lisa Jones) Paul Guest Art Prize, Bendigo Regional Gallery VIC (in collaboration with Lisa Jones) |
| 2019 | Mountains Become Islands, Dominik Mersch Gallery, Sydney (curated by Alanna Irwin) Oceans From Here, Gosford Regional Gallery, NSW ( National Regional Gallery tour 2020/1,curated by Allison Holland ) |
| 2018 | Tidal, Devonport Regional Gallery, Tasmania GCS Art Prize, GCS Gallery, Sydney These Waters Have Stories To Tell, Glynn Vivian Gallery, Swansea, Wales UK (curated by Celina Jeffery) |
| 2017 | Seeing Science, GCS Gallery, Sydney In and beyond the space of the Roman Forum, Macquarie University Gallery, Sydney (curated by Rhonda Davis) BE: Live The City, Customs House, Sydney Turtles All The Way Down, Blindside Gallery, Channels Festival, Melbourne (curated by Anita Spooner) Greyscale, Drawing Projects UK, Trowbridge UK Semionauts – 3 Essays in Creative Filmmaking, Kings Leap, Brooklyn NY (curated by Anita Spooner) |
| 2016 | Curtain Call, Blindside Gallery, Melbourne Ku-ring-gai PH + Science > Project, Manly Art Gallery and Museum, Sydney Greyscale, Glasshouse Regional Gallery, Port Macquarie, NSW. Mackay Artspace Museum Drawing Conversations, Rayner Hoff Project Space, National Art School, Sydney Consilience: As The World Turns, Oriel Science Museum, Wales UK Over View, International Festival of Video Art, Willem 11 Fabriek, The Netherlands. Cine a Dos, Koulikoro, Mali |
| 2015 | Greyscale, Rayner Hoff Project Space, National Art School Postgraduate Centre, Sydney Over View, International Festival of Video Art, Museo de Arte Diseno Contemporaneo, San Jose, Costa Rica. Run Run Shaw Creative Media Centre, City University of Hong Hong, China. Art Cinema Zawya, Cairo, Egypt. Fort Mason Center for Art & Culture, San Fransisco USA. Museo da Imagem e do Som, Sao Paulo, Brazil. UNSW Gallery Sydney, represented by DLUX Media Arts, Sydney |
| 2014 | reSATURATEryb, GCS Gallery, Sydney (curated by Nicholas Tsoutas) GCS Art Prize, GCS Gallery, Sydney Over View, International Festival of Video Art, Cultureel tetras de Kaaij, Nimegen, The Netherlands. SOMArts Gallery, San Francisco USA (World Tour 2015), represented by DLUX Media Arts, Sydney Spaced: Art Out of Place (National tour) Latrobe Regional Gallery Victoria, Swan Hill Regional Gallery Victoria, Bunbury Regional Gallery WA, The Cannery Arts Centre WA 38th Alice Art Prize, Araluan Art Centre, NT The Unpredictable Creative Power of Nature, Conny Dietzschold Gallery Sydney |
| 2013 | Friday 13th, The British School, Rome Spaced: Art Out of Place, (National tour) Plimsoll Gallery Hobart, Vancouver Arts Centre Albany WA, Alcoa Mandura Art Gallery, WA, Geralton Regional Art Gallery WA INTER_PLAY, Conny Dietzschold Gallery Sydney |
| 2012 | Spaced: Art Out of Place, IASKA Biennale, Fremantle Arts Centre, Fremantle WA Drawing Lines in the Sand, Cockatoo Island, Sydney (curated by Claire Taylor) |
| 2011 | Duality: explorations of two sides in the real and imagined world, Banyule Arts Space, Melbourne Korean International Art Fair, represented by Conny Dietzschold Gallery Sydney, Seoul,South Korea Neue namen, Knoll Gallery Oberhoffen Germany Drawing Connections, Siena Art Institute, Italy Willoughby Sculpture Prize, Sydney Singapore Art Fair, represented by Conny Dietzschold Gallery, Singapore |
| 2010 | Hong Hong Art fair represented by Conny Dietzschold Gallery , Hong Kong Melbourne Art Fair, represented by Conny Dietzschold Gallery , Melbourne In Temperance, Temperance Lane Sydney, Collaboration with Lisa Jones (curated by Mark Titmarsh) |
| 2009 | The one after 09, Peloton Gallery, Sydney |
| 2008/9 | Art and About, Albion Place Laneway, Sydney (curated by Claire Taylor) |
| 2007 | Echalon, Peloton Gallery, Sydney. Monolithic, Peloton Gallery, Sydney (curated by Giles Ryder) Helen Lempriere National Sculpture Exhibition, Melbourne |
| 2006 | Woollahra Small Sculpture Prize, Sydney Helen Lempriere National Sculpture Exhibition, Melbourne Post-It, Peloton Gallery (curated by Tracey Clement) |
| 2005 | Unclaimed Luggage – Circulo de Bellas Artes, Madrid, Spain Polyformalism, Project Space, Danks St, Sydney (curated by Mathias Gerber) The Adventure Project, First Draft Gallery Sydney Post Graduate exhibition, Sydney College of the Arts |
| 2004 | White, Tin Sheds, Sydney |
| 2003 | Floating Land, Noosa Regional Gallery, QLD |
| SELECTED AWARDS/PRIZES/RESIDENCIES/COMMISSIONS | |
|---|---|
| 2021 | Create NSW, Small projects grant (in collaboration with Lisa Jones) |
| 2020 | Onslow Storrier National Art School, Cité Internationale des Arts residency in collaboration with Lisa Jones Australia Council grant to assist the Onslow Storrier Arts residency – shared with Lisa Jones |
| 2018 | Winner, Tidal 18: City of Devonport National Art Award. Judged by Adam Harding, Dr Jan Hogan, Ashleigh Whatling Copyright Agency CREATE grant for the production of the work WAITING and THRESHOLDS: a chorus (shared with Lisa Jones) |
| 2016/7 | Commission, North Sydney public artwork (with Warren Langley) |
| 2012/13 | Australia Council Residency, The British School, Rome Commission, Public Artwork, Potts Hill, Sydney |
| 2011 | NAVA NSW Artist’ Grant (shared with Geoff Kleem, Adam Norton) |
| 2010 | Residency, Fraser Studios, Sydney. Commission, Marrickville Council, Sydney. Residency, IASKA, Perth |
| 2008/9 | Commission, Sydney Water Headquarters Public Artwork, Parramatta |
| 2008 | Australia Council Grant (New Work established artist) |
| 2007 | Winner, Helen Lempriere National Sculpture Award. Judged by Anna Schwartz, Anna Schwartz Gallery |
| 2006 | Woollahra Sculpture Prize Special Commendation Award, Sydney. Judged by Anthony Bond, Felicity Fenner, Professor Anne Graham |
| 2002 | AGNSW Directiors Prize – Sculpture by the Sea Bondi, Sydney. Judged by Edmond Capon, Director AGNSW |
| 1998 | Commission, Southern Crossings Conference University of NSW, Sydney Australia Council Funding, Canberra National Sculpture Forum Fretwell Prize, Sculpture by the Sea (shared with Sam Valenz), Sydney |
| 1991 | Australia Council Grant (Project Development) |
| PUBLICATIONS | |
|---|---|
| 2021 | Claire Taylor, Thresholds, catalogue essay |
| 2020 | National Works on Paper, Mornington Peninsular Regional Art Gallery, catalogue |
| 2019 | Alanna Irwin, Mountains Become Islands, catalogue essay |
| 2018 | Celina Jeffery, These Waters Have Stories To Tell, catalogue essay Tracey Clement, Tidal 18, Art Guide Australia News |
| 2017 | Therese Kenyon, Seeing Science, catalogue essay Rhonda Davis, In and beyond the space of the Roman Forum, catalogue essay |
| 2016 | Naomi Gall, Julia Davis experiments with time, Art Guide Australia, Preview, July 7 Sara Sweet, Julia Davis – Dark Matter, Aesthetica Blog, August 6 |
| 2015 | Donna West Brett, Greyscale, catalogue essay |
| 2014 | Sharne Wolff, ReSATURATEryb, The Art Life, Nov 28 Fiona Mc Intosh, Colour Form Space, Fiona McIntosh Blog, Nov 14 Rory Duckhouse, Ephemeral Coast, CCQ Magazine UK, Sept Issue pg 93-95, review. Julia Davis, Consilience, Drain Magazine, Vol 11:12, image and text. Celina Jeffery, Ephemeral Coast, S. Wales. Punctum Books, Brooklyn NY. Catalogue essay |
| 2013 | Zara Stanhope, Spaced – Art Out Of Place, Eyeline Vol 77 |
| 2012 | Claire Taylor, Drawing Lines In The Sand, catalogue essay Margaret Seymour, Spaced – Art Out Of Place exhibition catalogue, published by IASKA and Fremantle Art Centre Nien Schwartz, Spaced – Art Out Of Place, Artlink Vol. 32 # 2 Sarah Miller, the artist in residence: beyond just being there RealTime issue #108 April-May pg 8-9 Gregory Pryor, Socially Engaged FIFO Art?, Artlink Vol. 32 #1 pg 12 Ted Snell, Out of the landscape comes works of power, The Australian , review, Feb 10 2012 Nicloa Harvey, Spaced: Art Out Of Place, Frieze magazine May Issue 147 Tracey Clement, Art Guide Jan/Feb, preview (image & text) |
| 2010 | Owen Grieves, ABC Radio National WA, October 2, Live Interview Andrew Frost, Sydney Morning Herald,Oct 22 |
| 2009 | Lissa Christopher, Sydney Morning Herald Open Gallery, October 17-18 Tracey Clement, Critics Picks, Sydney Morning Herald, October 23 |
| 2007 | Tracey Clement, Critics Picks, Sydney Morning Herald, February 3 Robert Nelson, Helen Lempriere Arts review, Melbourne Age, March 14 Daniel Ziffer, Helen Lempriere review, Melbourne Age, March 1, p 3 Daniel Ziffer, Helen Lempriere review, Sydney Morning Herald, March 3, p 3 Harbant Gill, Helen Lempriere review, Herald Sun Melbourne, March 1 Monolithic exhibition catalogue, Jan 24 Vincent O’Donnell, ABC Radio National, Jan 23 Arts Alive Interview Sunday Arts ABC television, April 11 Documentary, Producer: Andrew Holland |
| 2006 | Geoffrey Edwards, Helen Lempriere National Sculpture Exhibition, exhibition catalogue, Melbourne Robert Nelson, Melbourne Age, April 26, review Ken Scarlett, Subversive sculptors, Australian Art Review Issue 11, Jul – Oct |
| 2005 | Tracey Clement, Critics Picks, Sydney Morning Herald, September 23-29 Mercedes Kemp, Unclaimed Luggage exhibition catalogue |
| 1994 | Elwyn Lynne, Sydney Morning Herald, March 5, 1994, review Dominique Angeloro, Critics Picks, Sydney Morning Herald, April 16 |
| 1998 | Clare Hews, Monument Magazine, October issue, (image and text) Ian Howard, Canberra National Sculpture Forum, exhibition catalogue, 1998, pp.17-22 John Macdonald, Sydney Morning Herald p.17, Oct. 9 1999 Canberra Times, March 29 1998, review |
| 1994 | Elwyn Lynne, Sydney Morning Herald, March 5, 1994, review |
| 1992 | Christopher Heathcote, The Melbourne Age, January 1, 1992, review Neville Drury, New Art 6: Profiles in Contemporary Australian Art, Craftsman House, Sydney |
| 1991 | Max Germaine, Women Artists of Australia, Craftsman House, Sydney Christopher Heathcote, The Melbourne Age, June 19, 1991, review |
| 1990 | Michael Pursche, Sense and Sensibility, exhibition catalogue, Manly Regional Gallery, Sydney |