{"id":178,"date":"2022-07-20T00:11:36","date_gmt":"2022-07-20T00:11:36","guid":{"rendered":"https:\/\/juliadavis.com.au\/?page_id=178"},"modified":"2022-09-21T01:45:53","modified_gmt":"2022-09-21T01:45:53","slug":"cv","status":"publish","type":"page","link":"https:\/\/juliadavis.com.au\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"\t\t
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JULIA DAVIS \u2013 SELECTED CV<\/h3>

juliadavis.au@gmail.com<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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EDUCATION<\/th><\/tr>
2006<\/td>MVA, Sydney College of the Arts<\/td><\/tr>
1988<\/td>Dip Ed Sydney College of Education<\/td><\/tr>
1980<\/td>Dip FA Prahran College of Fine Art, Melb<\/td><\/tr><\/tbody><\/table>
SELECTED SOLO & TWO PERSON EXHIBITIONS<\/th><\/tr>
2022<\/td>Thresholds: Underlands (collaboration with Lisa Jones), Manly Art Gallery and Museum, Sydney
Undercurrent, Manly Art Gallery and Museum, Sydney<\/td><\/tr>
2021<\/td>Thresholds (collaboration with Lisa Jones), Tin Sheds Gallery<\/a>, Sydney University (curated by Claire Taylor)<\/td><\/tr>
2020<\/td>Thresholds: a chorus, MAC Gallery Hobart (collaboration with Lisa Jones + in partnership with DARK MOFO ) cancelled due to COVID19<\/td><\/tr>
2018<\/td>Prelude to Oceans From Here,\u00a0ACP Gallery<\/a>, Sydney (curated by Allison Holland)<\/td><\/tr>
2016<\/td>Dark Matter,\u00a0Manly Regional Art Gallery and Museum, Sydney
Consilience: As The World Turns, MAMA Art Museum Albury<\/a>, Victoria<\/td><\/tr>
2014<\/td>Ephemeral Coast<\/a>, Mission Gallery, Swansea Wales GB. (curated by Celina Jeffery, Ottawa University)<\/a><\/td><\/tr>
2011<\/td>Sculptural Forms, Glasshouse Regional Gallery<\/a>, Port Macquarie, NSW<\/td><\/tr>
2010<\/td>Julia Davis, Conny Dietzchold Gallery, Sydney<\/td><\/tr>
2009<\/td>Julia Davis, Peloton Gallery, Sydney<\/td><\/tr>
2007<\/td>In Relation, Peloton Gallery, Sydney<\/td><\/tr>
2006<\/td>Towards Perigee, Tin Sheds Gallery<\/a>, Sydney<\/td><\/tr>
2003<\/td>Divesting Skin, Sydney College of the Arts<\/a><\/td><\/tr>
2000<\/td>Past Tense, Manly Regional Art Gallery and Museum, Sydney<\/td><\/tr><\/tbody><\/table>
SELECTED GROUP EXHIBITIONS<\/th><\/tr>
2022<\/td>

Fauvette Loureiro Memorial Scholarship finalist exhibition, SCA Gallery, Sydney University<\/p>

Powerhouse Late, Powerhouse Museum, Sydney (curated by Jane Sheldon)<\/p><\/td><\/tr>

2021<\/td>Shifting World, Salamanca Art Centre, Hobart TAS (curated by Ellina Evans)
Reflection\/Submersion, Janet Holmes \u00e1 Court Gallery, Perth WA (curated by Laetitia Wilson)<\/td><\/tr>
2020<\/td>

Herself, Queen Victoria Art Gallery and Museum<\/a>, Launceston Tasmania<\/p>

National<\/span>\u00a0Works on Paper, Mornington Peninsular Regional Gallery<\/a>, VIC (in collaboration with Lisa Jones) \u00a0<\/span><\/p>

Paul Guest Art Prize, Bendigo Regional Gallery<\/a> VIC (in collaboration with Lisa\u00a0<\/span>Jones)<\/span>\u00a0<\/span><\/span><\/p><\/td><\/tr>

2019<\/td>Mountains Become Islands, Dominik Mersch Gallery<\/a>, Sydney (curated by Alanna Irwin)
Oceans From Here, Gosford Regional Gallery, NSW (\u00a0National Regional Gallery tour 2020\/1,curated by Allison Holland )<\/td><\/tr>
2018<\/td>Tidal, Devonport Regional Gallery<\/a>, Tasmania
GCS Art Prize,\u00a0GCS Gallery<\/a>, Sydney
These Waters Have Stories To Tell, Glynn Vivian Gallery<\/a>, Swansea, Wales UK (curated by Celina Jeffery)<\/td><\/tr>
2017<\/td>Seeing Science, GCS Gallery, Sydney
In and beyond the space of the Roman Forum, Macquarie University Gallery<\/a>, Sydney (curated by Rhonda Davis)
BE: Live The City, Customs House<\/a>, Sydney
Turtles All The Way Down, Blindside Gallery<\/a>, Channels Festival, Melbourne (curated by Anita Spooner)
Greyscale, Drawing Projects UK<\/a>, Trowbridge UK
Semionauts – 3 Essays in Creative Filmmaking, Kings Leap, Brooklyn NY (curated by Anita Spooner)<\/td><\/tr>
2016<\/td>Curtain Call, Blindside Gallery<\/a>, Melbourne
Ku-ring-gai PH + Science > Project, Manly Art Gallery and Museum, Sydney
Greyscale,\u00a0Glasshouse Regional Gallery<\/a>, Port Macquarie, NSW. Mackay Artspace Museum<\/a>
Drawing Conversations, Rayner Hoff Project Space, National Art School<\/a>, Sydney
Consilience: As The World Turns, Oriel Science Museum, Wales UK
Over View<\/a>, International Festival of Video Art, Willem 11\u00a0<\/a>Fabriek<\/a>, The Netherlands. Cine a Dos, Koulikoro, Mali<\/td><\/tr>
2015<\/td>Greyscale, Rayner Hoff Project Space, National Art School Postgraduate Centre, Sydney
Over View<\/a>, International Festival of Video Art, Museo de Arte Diseno Contemporaneo<\/a>, San Jose, Costa Rica. Run Run Shaw Creative Media Centre<\/a>, City University of Hong Hong, China. Art Cinema Zawya<\/a>, Cairo, Egypt. Fort Mason Center for Art & Culture, San Fransisco USA.<\/a> Museo da Imagem e do Som, Sao Paulo, Brazil<\/a>. UNSW Gallery Sydney, represented by DLUX Media Arts, Sydney
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2014<\/td>reSATURATEryb, GCS Gallery<\/a>, Sydney (curated by Nicholas Tsoutas)
GCS Art Prize, GCS Gallery<\/a>, Sydney
Over View<\/a>, International Festival of Video Art, Cultureel tetras de Kaaij, Nimegen, The Netherlands. SOMArts Gallery<\/a>, San Francisco USA (World Tour 2015), represented by DLUX Media Arts, Sydney
Spaced: Art Out of Place (National tour)<\/a> Latrobe Regional Gallery<\/a> Victoria, Swan Hill Regional Gallery<\/a> Victoria, Bunbury Regional Gallery<\/a> WA, The Cannery Arts Centre<\/a> WA
38th Alice Art Prize<\/a>, Araluan Art Centre, NT
The Unpredictable Creative Power of Nature, Conny Dietzschold Gallery Sydney<\/td><\/tr>
2013<\/td>Friday 13th<\/a>, The British School, Rome
Spaced: Art Out of Place, (National tour) Plimsoll Gallery Hobart<\/a>, Vancouver Arts Centre Albany WA,
Alcoa Mandura Art Gallery<\/a>, WA, Geralton Regional Art Galler<\/a>y WA
INTER_PLAY, Conny \u00a0Dietzschold Gallery Sydney<\/td><\/tr>
2012<\/td>Spaced: Art Out of Place, IASKA Biennale, Fremantle Arts Centre<\/a>, Fremantle WA
Drawing Lines in the Sand, Cockatoo Island, Sydney (curated by Claire Taylor)<\/td><\/tr>
2011<\/td>Duality: explorations of two sides in the real and imagined world, Banyule Arts Space<\/a>, Melbourne
Korean International Art Fair, represented by Conny Dietzschold Gallery\u00a0Sydney, Seoul,South Korea
Neue namen, Knoll Gallery Oberhoffen Germany
Drawing Connections, Siena Art Institute<\/a>, Italy
Willoughby Sculpture Prize, Sydney
Singapore Art Fair, represented by Conny Dietzschold Gallery, Singapore<\/td><\/tr>
2010<\/td>Hong Hong Art fair represented by Conny Dietzschold Gallery\u00a0, Hong Kong
Melbourne Art Fair, represented by Conny Dietzschold Gallery \u00a0,<\/a> Melbourne
In Temperance, Temperance Lane Sydney, Collaboration with Lisa Jones (curated by Mark Titmarsh)<\/td><\/tr>
2009<\/td>The one after 09, Peloton Gallery, Sydney<\/td><\/tr>
2008\/9<\/td>Art and About, Albion Place Laneway, Sydney (curated by Claire Taylor)<\/td><\/tr>
2007<\/td>Echalon, Peloton Gallery, Sydney. \u00a0 Monolithic, Peloton Gallery, Sydney (curated by Giles Ryder)
Helen Lempriere National Sculpture Exhibition, Melbourne<\/td><\/tr>
2006<\/td>Woollahra Small Sculpture Prize<\/a>, Sydney
Helen Lempriere National Sculpture Exhibition, Melbourne
Post-It, Peloton Gallery (curated by Tracey Clement)<\/td><\/tr>
2005<\/td>Unclaimed Luggage \u2013 Circulo de Bellas Artes<\/a>, Madrid, Spain
Polyformalism, Project Space, Danks St, Sydney (curated by Mathias Gerber)
The Adventure Project, First Draft Gallery <\/a>Sydney
Post Graduate exhibition, Sydney College of the Arts <\/a><\/td><\/tr>
2004<\/td>White, Tin Sheds<\/a>, Sydney<\/td><\/tr>
2003<\/td>Floating Land, Noosa Regional Gallery<\/a>, QLD<\/td><\/tr><\/tbody><\/table>
SELECTED AWARDS\/PRIZES\/RESIDENCIES\/COMMISSIONS<\/th><\/tr>
2021<\/td>Create NSW, Small projects grant (in collaboration with Lisa Jones)<\/td><\/tr>
2020<\/td>Onslow Storrier National Art School, Cit\u00e9 Internationale des Arts residency in collaboration with Lisa Jones
Australia Council grant to assist the Onslow Storrier Arts residency – shared with Lisa Jones<\/td><\/tr>
2018<\/td>Winner, Tidal 18: City of Devonport National Art Award<\/a>. Judged by Adam Harding, Dr Jan Hogan, Ashleigh Whatling
Copyright Agency<\/a> CREATE grant for the production of the work WAITING and THRESHOLDS: a chorus (shared with Lisa Jones)<\/td><\/tr>
2016\/7<\/td>Commission, North Sydney public artwork (with Warren Langley)<\/td><\/tr>
2012\/13<\/td>Australia Council Residency, The British School, Rome
Commission, Public Artwork, Potts Hill, Sydney<\/td><\/tr>
2011<\/td>NAVA NSW Artist\u2019 Grant (shared with Geoff Kleem, Adam Norton)<\/td><\/tr>
2010<\/td>Residency, Fraser Studios, Sydney.
Commission, Marrickville Council, Sydney.
Residency, IASKA, Perth<\/td><\/tr>
2008\/9<\/td>Commission, Sydney Water Headquarters Public Artwork, Parramatta<\/td><\/tr>
2008<\/td>Australia Council Grant (New Work established artist)<\/td><\/tr>
2007<\/td>Winner, Helen Lempriere National Sculpture Award. Judged by Anna Schwartz, Anna Schwartz Gallery<\/td><\/tr>
2006<\/td>Woollahra Sculpture Prize Special Commendation Award, Sydney. Judged by Anthony Bond, Felicity Fenner, Professor Anne Graham<\/td><\/tr>
2002<\/td>AGNSW Directiors Prize – Sculpture by the Sea Bondi, Sydney. Judged by Edmond Capon, Director AGNSW<\/td><\/tr>
1998<\/td>Commission, Southern Crossings Conference University of NSW, Sydney
Australia Council Funding, Canberra National Sculpture Forum
Fretwell Prize, Sculpture by the Sea (shared with Sam Valenz), Sydney<\/td><\/tr>
1991<\/td>Australia Council Grant (Project Development)<\/td><\/tr><\/tbody><\/table>
PUBLICATIONS<\/th><\/tr>
2021<\/td>Claire Taylor, Thresholds, catalogue essay<\/td><\/tr>
2020<\/td>National Works on Paper, Mornington Peninsular Regional Art Gallery, catalogue<\/td><\/tr>
2019<\/td>Alanna Irwin, Mountains Become Islands, catalogue essay<\/td><\/tr>
2018<\/td>Celina Jeffery, These Waters Have Stories To Tell, catalogue essay
Tracey Clement, Tidal 18, Art Guide Australia<\/a>\u00a0News<\/td><\/tr>
2017<\/td>Therese Kenyon, Seeing Science, catalogue essay
Rhonda Davis, In and beyond the space of the Roman Forum, catalogue essay<\/td><\/tr>
2016<\/td>Naomi Gall, Julia Davis experiments with time,\u00a0Art Guide Australia<\/a>,\u00a0Preview,\u00a0July 7
Sara Sweet, Julia Davis – Dark Matter, Aesthetica Blog<\/a>, August 6<\/td><\/tr>
2015<\/td>Donna West Brett, Greyscale, catalogue essay<\/td><\/tr>
2014<\/td>Sharne Wolff, ReSATURATEryb,\u00a0The Art Life<\/a>, Nov 28
Fiona Mc Intosh, Colour Form Space,\u00a0Fiona McIntosh Blog<\/a>, Nov 14
Rory Duckhouse, Ephemeral Coast, CCQ Magazine UK, Sept Issue pg 93-95, review.
Julia Davis, Consilience, Drain Magazine<\/a>, Vol 11:12, image and text.
Celina Jeffery, Ephemeral Coast<\/a>, S. Wales. Punctum Books, Brooklyn NY. Catalogue essay<\/td><\/tr>
2013<\/td>Zara Stanhope, Spaced – Art Out Of Place, Eyeline Vol 77<\/a><\/td><\/tr>
2012<\/td>Claire Taylor, Drawing Lines In The Sand, catalogue essay
Margaret Seymour, Spaced – Art Out Of Place exhibition catalogue<\/a>, published by IASKA and Fremantle Art Centre
Nien Schwartz, Spaced – Art Out Of Place, Artlink Vol. 32 # 2<\/a>
Sarah Miller, the artist in residence: beyond just being there\u00a0RealTime issue #108 April-May pg 8-9<\/a>
Gregory Pryor, Socially Engaged FIFO Art?, Artlink Vol. 32 #1 pg 12<\/a>
Ted Snell, Out of the landscape comes works of power, The Australian , review, Feb 10 2012<\/a>
Nicloa Harvey, Spaced: Art Out Of Place, Frieze magazine May Issue 147<\/a>
Tracey Clement, Art Guide Jan\/Feb, preview (image & text)<\/td><\/tr>
2010<\/td>Owen Grieves, ABC Radio National WA, October 2, Live Interview
Andrew Frost, Sydney Morning Herald,Oct 22<\/td><\/tr>
2009<\/td>Lissa Christopher, Sydney Morning Herald Open Gallery, October 17-18
Tracey Clement, Critics Picks, Sydney Morning Herald, October 23<\/td><\/tr>
2007<\/td>Tracey Clement, Critics Picks, Sydney Morning Herald, February 3
Robert Nelson, Helen Lempriere Arts review, Melbourne Age, March 14
Daniel Ziffer, Helen Lempriere review, Melbourne Age, March 1, p 3
Daniel Ziffer, Helen Lempriere review, Sydney Morning Herald, March 3, p 3
Harbant Gill, Helen Lempriere review, Herald Sun Melbourne, March 1
Monolithic exhibition catalogue, Jan 24
Vincent O’Donnell, ABC Radio National, Jan 23 Arts Alive Interview
Sunday Arts ABC television, April 11 Documentary, Producer: Andrew Holland<\/td><\/tr>
2006<\/td>Geoffrey Edwards, Helen Lempriere National Sculpture Exhibition, exhibition catalogue, Melbourne
Robert Nelson, Melbourne Age, April 26, review
Ken Scarlett, Subversive sculptors, Australian Art Review Issue 11, Jul – Oct<\/td><\/tr>
2005<\/td>Tracey Clement, Critics Picks, Sydney Morning Herald, September 23-29
Mercedes Kemp, Unclaimed Luggage exhibition catalogue<\/td><\/tr>
1994<\/td>Elwyn Lynne, Sydney Morning Herald, March 5, 1994, review
Dominique Angeloro, Critics Picks, Sydney Morning Herald, April 16<\/td><\/tr>
1998<\/td>Clare Hews, Monument Magazine, October issue, (image and text)
Ian Howard, Canberra National Sculpture Forum, exhibition catalogue, 1998, pp.17-22
John Macdonald, Sydney Morning Herald p.17, Oct. 9 1999
Canberra Times, March 29 1998, review<\/td><\/tr>
1994<\/td>Elwyn Lynne, Sydney Morning Herald, March 5, 1994, review<\/td><\/tr>
1992<\/td>Christopher Heathcote, The Melbourne Age, January 1, 1992, review
Neville Drury, New Art 6: Profiles in Contemporary Australian Art, Craftsman House, Sydney<\/td><\/tr>
1991<\/td>Max Germaine, Women Artists of Australia, Craftsman House, Sydney
Christopher Heathcote, The Melbourne Age, June 19, 1991, review<\/td><\/tr>
1990<\/td>Michael Pursche, Sense and Sensibility, exhibition catalogue, Manly Regional Gallery, Sydney<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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JULIA DAVIS \u2013 SELECTED CV juliadavis.au@gmail.com EDUCATION 2006 MVA, Sydney College of the Arts 1988 Dip Ed Sydney College of Education 1980 Dip FA Prahran College of Fine Art, Melb SELECTED SOLO & TWO PERSON EXHIBITIONS 2022 Thresholds: Underlands (collaboration with Lisa Jones), Manly Art Gallery and Museum, SydneyUndercurrent, Manly Art Gallery and Museum, Sydney […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/juliadavis.com.au\/wp-json\/wp\/v2\/pages\/178"}],"collection":[{"href":"https:\/\/juliadavis.com.au\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juliadavis.com.au\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juliadavis.com.au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/juliadavis.com.au\/wp-json\/wp\/v2\/comments?post=178"}],"version-history":[{"count":37,"href":"https:\/\/juliadavis.com.au\/wp-json\/wp\/v2\/pages\/178\/revisions"}],"predecessor-version":[{"id":1196,"href":"https:\/\/juliadavis.com.au\/wp-json\/wp\/v2\/pages\/178\/revisions\/1196"}],"wp:attachment":[{"href":"https:\/\/juliadavis.com.au\/wp-json\/wp\/v2\/media?parent=178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}